Thursday, September 27
Jules Spinatsch
Highlights, C-Prints montés sur bois, éd 12 ex, 30 x 22 cm chacun, 2005
Temporary Discomfort II Activist, Corso Italia, 2001, C-Print, éd 7 ex, 80 x 100 cm, 2001
Temporary Discomfort II Palazzo Ducale, Congress Center G8, 2001,
C-Print, éd 7 ex, 80 x 100 cm, 2001
Temporary Discomfort V, G8 Summit, Tape, Genoa July 2001, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 16/8, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 27/12, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 10/12, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 15/1, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 21/6, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone B Sector 28/10, NYC 2002, C-print 80/100cm Ed.7
Temporary Discomfort III, World Economic Forum, Zone C UBS1, NYC 2002, C-print 40/50cm Ed.5
Temporary Discomfort III, World Economic Forum, Zone C Citi Bank Corp., NYC 2002, C-print 40/50cm Ed.5
Temporary Discomfort I, World Economic Forum, Davos Valley with Congress Center, January 2001, C-print 100/120cm Ed. 5
Temporary Discomfort I, World Economic Forum, Driver/Bodyguard No. 1, January 2001, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No.1, Evian/Geneva, June 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 22, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 2, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 4, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 9, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 8, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 7, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 5, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Antilogo No. 11, Evian/Geneva 2003, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Piazza J.F Kennedy 1, Genoa, July 2001, C-print 80/100cm Ed.7
Temporary Discomfort V, G8 Summit, Piazza J.F Kennedy 2, Genoa, July 2001, C-print 80/100cm Ed.7
Temporary Discomfort I, World Economic Forum, Hotspot No. 4, Davos, January 2001, C-print 24/30cm Ed.3
Temporary Discomfort I, World Economic Forum, Hotspot No. 6, Davos, January 2001, C-print 24/30cm Ed.3
Temporary Discomfort I, World Economic Forum, Hotspot No. 7, Davos, January 2001, C-Print 24/30cm Ed.3
Temporary Discomfort I, World Economic Forum, Kurpark No. 1, Davos, January 2001, C-print 80/100cm Ed. 3
Temporary Discomfort I, World Economic Forum, Kurpark No. 2, Davos, January 2001, C-print 80/100cm Ed.3
Temporary Discomfort IV, Discontinuous panorama (detail), Davos, January 2003, Position C/1
Temporary Discomfort IV, Installation view, Kunstraum Walcheturm, Zurich-CH 23.1 - 13.2. 2003. World Economic Forum. Live discontinuous panorama composed of 1446 still shots over 6 days. See the photographer’s website for details.
via Lens Culture
Len Culture international online magazine of contemporary photography. Visit:
http://www.lensculture.com/spinatsch.html
to see these photos along with an essay about Jules Spinatsch, and LISTEN to an audio interview with the photograher who explains his ideas behind these photos. The CONTEXT is important to full appreciation.
Sincerely,
Jim Casper, editor of Len Culture
© Copyright 2001-2004 Jules Spinatsch
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Dear Sophie and Dear Readers,
ReplyDeleteMost of these photos have been link-jacked from:
http://www.lensculture.com/spinatsch.html
without credit to the source, Len Culture international online magazine of contemporary photography. Visit:
http://www.lensculture.com/spinatsch.html
to see these photos along with an essay about Jules Spinatsch, and LISTEN to an audio interview with the photograher who explains his ideas behind these photos. The CONTEXT is important to full appreciation.
Sincerely,
Jim Casper, editor of Len Culture
Apologies Jim
ReplyDeleteThis has been rectified
S