Saturday, April 11

Evolution of Office Spaces Reflects Changing Attitudes Toward Work

By Cliff Kuang

Since the dawn of the white-collar age, office designs have cycled through competing demands: openness versus privacy, interaction versus autonomy. Here's a brief history of how seating arrangements have reflected our changing attitudes toward work.

Illustration: Harry Campbell

1Taylorism (ca. 1904)

American engineer Frederick Taylor was obsessed with efficiency and oversight and is credited as one of the first people to actually design an office space. Taylor crowded workers together in a completely open environment while bosses looked on from private offices, much like on a factory floor.

2 Bürolandschaft (ca. 1960)

The German "office landscape" brought the socialist values of 1950s Europe to the workplace: Management was no longer cosseted in executive suites. Local arrangements might vary by function—side-by-side workstations for clerks or pinwheel arrangements for designers, to make chatting easier—but the layout stayed undivided.

3 Action Office (1968)

Bürolandschaft inspired Herman Miller to create a product based on the new European workplace philosophy. Action was the first modular business furniture system, with low dividers and flexible work surfaces. It's still in production today and widely used. In fact, you probably know Action by its generic, more sinister name: cubicle.

4 Cube Farm (ca. 1980)

It's the cubicle concept taken to the extreme. As the ranks of middle managers swelled, a new class of employee was created: too important for a mere desk but too junior for a window seat. Facilities managers accommodated them in the cheapest way possible, with modular walls. The sea of cubicles was born.

Virtual Office (ca. 1994)

Ad agency TBWA\Chiat\Day's LA headquarters was a Frank Gehry masterpiece. But the interior, dreamed up by the company's CEO, was a fiasco. The virtual office had no personal desks; you grabbed a laptop in the morning and scrambled to claim a seat. Productivity nose-dived, and the firm quickly became a laughingstock.

5 Networking (present)

During the past decade, furniture designers have tried to part the sea of cubicles and encourage sociability—without going nuts. Knoll, for example, created systems with movable, semi-enclosed pods and connected desks whose shape separates work areas in lieu of dividers. Most recently, Vitra unveiled furniture in which privacy is suggested if not realized. Its large tables have low dividers that cordon off personal space but won't guard personal calls.


via Wired

Thursday, April 9

Tokyo Fashion Map by Uniqlo







Nice new site by Uniqlo

Bram Boo in Milan


Milan is around the corner and here is a quick look at what Bram Boo wil be showing




"Sleepless" bed
photo: jasper willemen
desigenr: bram boo
function: because of its particular shape, this bed offers you comfort and inspiration when making love...
creation: 2008
material: lacquered steel











"Overdose" chair
photo: Jasper willemen
function: made for an exhibition called "prophets and penitents" confessions of a chair. Fuori Salone Milan 2009
Like Saints, often are represented surrounded by an aureole around their head, it inspired me to use function and especially an overdose of storage to create an aureole for everybody who is seating in the chair!
designer: bram boo
creation: 2009
material: lacquered mdf, steel, wood





























"Overdose" desk
photo: Jasper Willemen
funcyion: this desk with its storage units disposed in a nonchalant way on the tabletop gives you the opportunity to make order quite easily!
designer: bram boo
creation 2007/09
material: lacquered mdf, wood
dimensions: W231xD120xH140cm
still a prototype

Wednesday, April 8

DISTRITO CAPITAL in Mexico










Left: CONFERENCE CENTER / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

Right: ENTRANCE MIRRORS / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL














CORNER SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

















Left: BAR / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

Right: AMENITIES / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL















TERRACE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL



























ROYAL SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL















ROYAL SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL















ROYAL SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL














ROYAL SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

















LOBBY / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL









Left: LIBRARY / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

Right: LOBBY / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

















Left: RECEPTION / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

Right: LIBRARY / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL





















ROYAL SUITE / photo © Adrien Dirand, courtesy of DISTRITO CAPITAL

Emergency Transport of the Future at the Royal College of Art

Grégoire Alexandre


























Jettez un coup d'oeil sur le portfolio en ligne de Grégoire Alexandre

Tuesday, April 7

Spacebuster NYC



Storefront for Art and Architecture, in collaboration with Goethe Institute New York, present Spacebuster, a project by Raumlabor. Spacebuster is a mobile inflatable structure that serves as an entirely portable, expandable pavilion. A new iteration of a past Raumlabor project, the Küchenmonument (presented in Europe in 2006-8), Storefront will bring Spacebuster to the US for the first time this April, when it will travel throughout New York for 10 consecutive evenings hosting various community events.

The pavilion is comprised of an inflatable bubble-like dome that emerges from its self-contained compressor housing. The dome expands and organically adjusts to its surroundings, be it in a field, a wooded park, or below a highway overpass. The material is a sturdy, specially-designed translucent plastic, allowing the varying events taking place inside of the shelter - dance parties, lecture series, or dinner buffets - to be entirely visible from the outside and likewise the exterior environments become the events’ backdrops.

Each of these ten evenings will be organized in conjunction with a community group, nonprofit organization, university, or arts organization. Events will include artist talks, film screenings, communal dinners and many other events. For full information on the lineup of events please visit the official site.






via ArchDaily